Marta L.
Treffiletti
4.16.03
Writing 307
Research Review
Report
Children leave their mark on the world in
a number of ways. They come to
know that they exist by seeing the results of their actions. From building a sand castle on the
water’s edge with the tiny grains of sand, to drawing colorful shapes
with crayon, or sheltering themselves in a tree house, built by nature and their
own hands, something becomes clear.
A desire originating within them has surfaced through the experience and
expression of art seen through the innocence of a child. There is curiosity, learning,
exploration, skill, and delight.
They begin to realize that feelings and thoughts can be communicated to
the outside world. Art made by
children provides a window into their world: it offers a view of who they are, regardless of the
suffering or pain they may endure.
While children struggle to cope with these challenges, or compete with
barriers and forces that limit their activity or understanding of the life
around them, they are determined to survive. They have a resolute sense of purpose and need.
According
to Harold S. Kaplewicz, from the New York University Child Study Center, two
million adolescents suffer from depression. Five percent of youth have learning problems. At least one child in every classroom
has attention deficit hyperactivity disorder. Three to five percent of teenage girls have eating
disorders, and an increasing number of children are being diagnosed as young as
nine or ten. More troubling, is
the fact that fewer than twenty percent of these children receive the treatment
they need. (Natale, 15)
Art
Therapy is a growing field that offers an opportunity to helping the millions
of young children who live with challenges, whether developmental, situational,
psychiatric, or physical. It is
also simply for the individual striving boldly to communicate to others what is
usually kept private and covered, so that their thoughts, feelings, fears,
hopes and dreams will not be ignored.
Jo Anna Natale, a member of the National
School Boards Association, wrote about her experience and observations at the
Herndon Center, a program for emotionally disabled seventh and eighth graders
in Fairfax County, Virginia.
“Art As Healer”, Natale’s review, was published in The
Executive Educator in
July of 1996. One of the most
important and critical points that Natale makes in her review is how the
teacher, James Torrenzano, has designed this art therapy class. Psychologically, Torrenzano teaches the
notion that “Trust is a central goal of art therapy”. In this classroom, success isn’t
measured by whether students master pottery or painting, it’s measured
through the extent to which the students are able to trust in themselves and in
the people around them. This is
when students are able to push past their fears, build confidence, and take
chances. “Unless you have
trust”, Torrenzano says, “you go nowhere.”
The kids in Torrenzano’s classroom
have problems ranging from neurological conditions to difficult life
situations. Some have been
physically or emotionally abused, some suffer from autism, depression, or
attention deficit disorder. With
these disorders, many of the students lack a basic sense of self-esteem, which
causes them to be extremely insecure and withdrawn. Natale places a large emphasis on Torrenzano’s art
therapy class as a place where students can gain a better sense of themselves,
using art to draw out their problems and fears, and learn to understand and
accept their placement in life.
Natale talks about how outsiders see the environment of this classroom
as something less than a serious school, but in reality, she quotes
“People who visit Torrenzano’s classroom and learn of his
techniques, feel the wonderment.” (Natale, 18)
While Torrenzano’s art therapy room seems more like a studio then
a classroom, the visual elements and strategically placed furniture and
stations offer a sense of balance and peacefulness for the students. As six art tables are pushed tightly
together, their center is a fountain, a pool of rocks, greenery, and tiny
turtles where cool waters flow constantly. New age music is also played to relax the mood and
complement the sound of the water flowing. Natale reports, after interviewing students from
Torrenzano’s class, that the peacefulness of the classroom setting makes
it more enjoyable and comfortable during the creative process.
The most important idea that works
successfully throughout Torrenzano’s art therapy class is the belief that
the act of creating can help people feel better. Torrenzano says, “When
people feel better, they perform better in other endeavors, such as academic
classes.” (Natale, 17) The
students are exposed to a wide variety of materials and mediums to work with,
from clay to paint, and the emphasis isn’t placed upon their final
product. It’s placed upon
their effort during the creative process and what they discover about
themselves along the way. Natale
saw her experience observing these children in need of help, as a
self-realization in her own understanding. What she saw was students traveling to different parts of
their minds and lives, through their artwork, on a journey of
self-exploration. Clearly,
Natale’s view on education was opened when she stepped into
Torrenzano’s unique classroom.
The message is clear. There
are other options, other tools, besides a pencil, paper, desk, book and
chalkboard that can help students grow.
Art is a positive outlet for the growth of individuals striving to
understand their own lives and to discover something that was always hidden in
the midst of their troubled lives.
One common theme seems to be surfacing
among the most recent studies in Art Therapy: there is a need for art therapists to explore computer
applications for Art Therapy. Our
society is extremely fast paced and demands the knowledge of technology and the
computer, even in the field of art.
Children as young as three years old are taking part in computer classes
so they can be properly prepared for their future. Barbara Parker-Bell, an Associate Professor at Pittsburg
State University’s Department of Art, places a huge emphasis on the need
for art therapists to have knowledge in this area. It’s very important for clients, many of whom are
children, to feel comfortable in the tool they are using to express
themselves. Today, the computer is
a very common tool for children to feel comfortable with.
Many people place negative connotations
on computer use as a tool for art therapy because they believe it discourages
the creative process, limiting the opportunity for innovation within the field
of Art Therapy. Such thoughts are
based on the fact that with a computer, the individual is working in a two
dimensional screen, not engaging completely in the material he/she is working
in. By working in clay or paint,
the individual has complete control and an ability to submerge himself/herself
within the whole process.
Parker-Bell feels that many fail to realize the incredible ways in which
the computer has benefited many disabled children who cannot paint or sculpt
with their own two hands.
Parker-Bell described her experience
learning about an Art Therapist, Ranger, who chose to use a children’s
creativity program called Kid Pix with children challenged by cerebral
palsy. Kid Pix has several
different areas for art production.
These include a draw and stamp area with special effects that can change
or add to artwork, and the animation of images. During these therapy sessions, the clients were able to
select from three sizes of available stamps and determine where the image would
be placed. They were also able to
choose the colors and textures of their background, type words and create
layers of different images, which resulted in a collage effect. A specially adapted controlling device
instead of the traditional mouse or keyboard was designed specifically for children
with cerebral palsy and other disabilities causing dysfunctional body
coordination, control and movement.
The controlling device enables these people to gain better control and
progress with what they are trying to express on the computer, therefore giving
them the confidence and ability to continue the therapy.
Parker-Bell discovered that if we are to
keep up with the pace and needs of clients, art therapists must overcome their
fears of technology. It is
important that art therapists have a wide range of knowledge in order to remain
flexible with the needs of their clients.
No art tool, including the computer, suits all needs or situations, but
most can be used well in a therapeutic way if the therapist knows the
properties and potentials they hold.
Parker-Bell says, “Whether computers can advance art therapy
techniques depends entirely on our innate curiosity as artists to explore and
investigate this new medium.”
Another very interesting tool that has been extremely successful toward enriching the lives of disabled and seriously ill children involves using photography and therapeutic scrap booking. Jerry Rollins, an active member and founder of the “Picture Me Foundation,” writes about his observations and conclusions using this tool to help create a more positive and understanding environment for these less fortunate children.
Art
is a form of play and fantasy for most children. By using this form of therapy in the hospital setting with
severely ill children, art therapists have found that it helps the children
cope with their hospitalization, illness, treatments, and how they feel about
it all. By providing these
children with different photographs and drawing utensils, along with a personal
journal or scrapbook, the journal becomes the child’s very own intimate
collection and surviving strategy.
This scrapbook turns into an autobiography for the child to cope,
understand, and communicate his/her feelings to others. While it serves as a coping strategy,
the scrapbook also works as a venting system for young children who may not
otherwise be able to voice what they are feeling inside. As the child projects his thoughts,
feelings, fears, conflicts, and needs through art and drawings, the scrapbook
also can reveal dreams and hopes, reducing their level of stress and anxiety
about their illness.
Rollins
reported that this procedure of developing an autobiographical scrapbook was
examined in a pilot study with six school-age children, ages seven to twelve
years, who were coping with an illness.
While the scrapbook allowed these children to express themselves in a
medium that was familiar and comforting to them, the study showed a significant
decrease in anxiety, depression, and sense of rejection.
Gwen
Sanders, an art therapist and member of the American Art Therapy Association,
talks about art therapy as an important option for family therapy. By using art therapy as a tool to work
through a family’s problems, it can provide a channel for sharing
different angles and perceptions within a family. Children start to feel comfortable with the media they are
working in to create the art that explains what they are feeling about their
family. It also helps them feel
better about making themselves heard within the family, which may not be
possible in their regular family interactions. Sanders also found that children who were more withdrawn,
intimidated, or passive may benefit from art therapy as a new style of
expression.
Children
have a very hard time expressing themselves at young ages. Their language is
simply not mature enough speak of how they truly feel inside at times. It is important that they are exposed
to different tools and mediums so that they can express themselves in different
ways and styles. Without this
opportunity of expression, these children might grow up with too many
uncertainties and insecurities left undone, which could, in turn, create
disorder and dysfunction within the child.
Children are benefiting from this alternative
healing and learning method in numerous ways. From the school environment and hospital setting, Art
Therapy offers another opportunity to access the mind of children, to help them
grow into healthy, balanced, open-minded individuals.
Natale, Jo Anna. July 1996. “Art As Healer.” The Executive Educator. 20(7).
Parker-Bell, Barbara. 1999. “Embracing a Future with Computers and Art Therapy.”
Journal of the American Art Therapy Association. 16(4). 180-185.
Rollins, Jerry. 1990. “The Arts: Helping Children Cope With Hospitalization.”
Imprint. 6, 16-25.
Sanders, Gwen. “Art Therapy Builds Upon the Strength of Clients.” Journal of
The American Art
Therapy Association. 18(7). 112-115.